Orion

Okay - managed to find the time to size some images of the finished piece! This one was quite a lot of work - there is just so much fine texture to paint, and it takes a while to tie it all together... I'm pretty happy with the finished result though - it's quite close to what I set out to achieve.

I like the miniature so much better than the original (he's sitting in the display case on my desk) which I painted for the packaging over ten years ago. I converted the miniature a little - I just didn't like the placement of the bow across the left leg, it really ruins the line of the miniature. I cut the bow away from the quiver, re-built it, and positioned it behind the back. I think that works far better for the pose, adding to the flow and energy.

I wanted quite a fresh, spring-like palette of colours, but added some flesh tones into the skin to give some warmth.

This was my first Warhammer miniature for quite a while and I would love to paint some more - especially after seeing all the new Warriors of Chaos stuff...

mike

Into the woods...

Just finished painting Orion - King in the Woods, and I am pretty pleased with the way he came out. I'll post him here in the next few days, but in the mean time I thought I would have a quick look at the base, without him on it. I painted the miniature mostly in shades of green (unsurprisingly), so I wanted to have a base that he stood out from. In the end I went for an Autumn theme with lots of browns, ochers and orange tones.

I wanted a two-tier effect so that one of the hounds would be dropped down slightly below his foot level - meaning that Orion wouldn't have anything blocking him, and create a stronger composition. The higher layer was built up with a slab of dry plaster (we have bags of the stuff of various thicknesses for basing purposes - here is a basic tutorial of how me make it) - that was broken up into uneven ground with Apoxie Sculpt, and textured with Liquitex Modeling Paste. I washed and sponged the basic colours onto that - starting with deep warm brown and going up through tan and yellow tones. While that was drying, I sculpted some mushrooms from green stuff (how "old school" is that! Still, I thought if I did it tastefully I could getaway with it, and it certainly gave the autumnal feel I wanted). I painted the mushrooms before gluing them to the base, and then finished the whole thing with some leaf litter and static grass.

I really like the way it turned out. The miniature stands out, and it creates a definite location for the scene - the two things that I really like to achieve with a base.

Pictures of the finished piece soon

mike

Cutter

Just found the time to post full size pictures of the Cutter. As I said in the last post, I really enjoyed painting this one and I'm happy with the way it came out.

I actually had the idea for the base before I painted the miniature. I wanted to put the miniature in a contemporary setting, and in an action situation. The idea is that he is taking fire from an enemy and one of the rounds has just hit the sign post behind him - which is why he's twisting round. I used pastels fairly extensively for the base - I really like the dry, dusty feel they give. I shave off a little of the colour I want with a sharp blade, and apply it with a small brush, just like you would a normal weathering powder.

I would really like to paint some more Infinity miniatures, they have such a different feel from anything I have ever painted before. This one is the next Infinity mini on my list (the Avatar is pretty great though...) - but the list is quite long, so it might be a while before I get to it... 

mike

Glazing

Just a quick post about one of my favourite techniques.

I have just finished painting the Infinity Cutter miniature - a fantastic sculpt by one of my favourite miniatures sculptors, Jose Roig. His contribution to the whole range is amazing, but the Cutter is an outstanding piece of work - fantastic animation and detail. I'll post pictures of the finished piece here soon, but I just wanted to talk a little about how I used glazing on this miniature first.

I wanted the cutter to have a really clean, anime feel to the colour scheme, so chose white and red for the principal colours. I have to admit that red is one of my favourite colours for miniatures (it just gives so much impact to a colour scheme), but I rarely use it as the main colour. It can also be a tricky one to get right in large areas like this - it's notoriously difficuly to get good smooth coverage as it has such poor opacity.

I tend to use quite a lot of white in the highlights for better coverage - building up the colours through almost peach tones and then adding some intensity back in with successive glazes. I glaze with inks rather than paint - I find that the intensity of the pigmentation really lends itself to the technique. I used at least 8-10 layers of glazes on this miniature, the first was a warm yellow and the final one was deep red. Each glaze is applied extremely diluted and in an even layer - the goal is to lay down a thin 'tint' of colour without any patchiness or pooling. It's important to make sure that the glazes dry completely between applications (I always have a hair-drier handy to speed this up). You also have to be careful where you apply the glaze - the early (yellow) ones are applied over the whole areas, but the deeper (red) tones are just applied to the shade areas.

It's a great technique and can be used to give colours a real intensity boost.

I'll post pictures of the finished miniature soon.

mike